7/26/2012

"It´s raining, and not drops"

Title: Shoot ‘Em Up
Year: 2007
Genre: Action, Comedy, Crime
Director: Michael davis
Writer: Michael Davis
Runtime: 86min
Cast: Clive Owen, Paul Gamatti, Monica Bellucci, Stephen McHattie
Produc.: New Line Cinema. Angry Films
Budget: $39 million approx.

In Shoot ‘Em Up, Smith (Clive Owen) is a mysterious lone gunman, who, unwittingly finds himself trying to thwart a government conspiracy.
Smith is relaxed. He is enjoying one of his only pleasures, eating a carrot, while resting on a bench on the sidewalk.
Suddenly, Smith finds himself facing quite an unusual situation. A young pregnant woman (Ramona Pringle) shows up running, very agitated, and continues into an alley. Anyone who had seen her would not have hesitated to help. This, however, does not seem to affect this man, who shows no signs of going to do anything. Not until he sees that the lady is been chased by someone armed and with a scowl. Just then, is that he changes his priorities. But not without first giving a bite to his vitaminic food.
Smith follows victim and attacker to the alley, even though he is not armed. Seconds later, the offender has already got the girl in the spotlight, ready to liquidate her, moment in which Smith appears. In the middle of a shooting, Smith manages to carry out a labor, after which he show the mother into a corner that he believes safe, but it is not, for herself and her child. Meanwhile, he will continue to try to save both their skin.
The opening scene shows us this good citizen, putting him right away, between a rock and a hard place. The result ends up being the fierce persecution, between a man and a battalion of hired assassins, all led by the fearsome Hertz (Paul Giamatti), who, if he does not like you, he tells you so, but with the trigger.
There are lots of action and lots of shooting. And such a cool fellow, that he even gets somebody else’s gun for his own advantage. Then, to finish with the first adrenaline scene, it could not be missed the spectacular jump from a balcony to an apartment, that Smith does with the little one in arms. It is of those circumstances in which the only thing missing would be the bad guy shouting something like, "I will avenge!" But, fortunately, it does not happen.
As the plot progresses, Smith's past is not necessarily too important, but we do know some demotivaiting details.
Here what we have, is a guy who has gotten where he should not, but who, coincidentally has extensive knowledge of anatomy and use of firearms, combat techniques or escape routes. Why not say it: a sort of MacGyver. And all for wanting to save a newborn, who, in the end, indeed, has become an orphan.
Starting from this premise is that everything else flows, where each situation is a constant, of shooting and being shot at, and where, no matter if there are dozens of assassins against just one guy, our hero is who is to be victorious.
It should be noted to the director, that all the scenes worked, all based on shootings, with pistols or machine guns, and without resorting to other elements. Together, Davis leads his hero to the extreme, but without looking ridiculous. Wich were, indeed, for example, the case of Darius Stone in XXX 2, who made a vehicle work without wheels on a railroad track, which was already excessive.
With this what I am saying, is that it is known that a director can, and often "needs" to take certain liberties with his characters, though, always considering that there "must” be set a limit.
Davis does not forgot of the female component, either. Donna Quintano (Monica Bellucci) is a prostitute who ends up being Smith´s sole support, and which allows for a romantic and erotic component.
Shoot ‘Em Up is action and shooting, from start to finish. Is, the good guy versus the bad guy. Both built under the usual stereotypes, but here, relaying on Michael Davis nice touch. Who, although, did not discovered gunpowder, he certainly knew how to use it.

My rating: 5/10


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7/22/2012

"Until the zombies do us apart"

Title: [Rec] ³ Genesis ([Rec] ³ Génesis)
Year: 2012
Genre: Drama, Horror, Thriller
Director: Paco Plaza
Writer: Paco Plaza, Luis Berdejo
Runtime: 80min
Cast: Leticia Dolera, Diego Martín, Mireia Ros, Ismael Martínez, Emilio Mencheta, Álex Monner, Javier Botet, Ana Isabel Velásquez, Blai Llopis, Itziar Castro, Claire Baschet, Xavier Ruano, Borja Glez. Santaolalla
Produc.: Canal+ España, Filmax, Ono, Rec Génesis A.I.E., Televisió de Catalunya (TV3), Televisión Española (TVE)
Budget: €4 million approx.

In [Rec] ³ Genesis, what had began as a beautiful wedding, for the bride and the groom, Koldo (Diego Martínez) and Clara (Leticia Dolera), will soon go to hell, when the guests get infectted by a virus.
Paco Plaza has undertaken, this year, to show us why the word "sequel" is so often frowned upon. 
If we went back to 2007, we would see an example of when, filming in the style of The Blair Witch Proyect, and getting in between a few living dead, did make sense. Throw in addition, that everything was going to happen in a quarantined building, what made the conditions for causing us fear, quite suitable. 
With [Rec] ², released two years later, the scenario would be the same, only changing the main characters. Now the leading role was granted to a SWAT team that, equipped, both with weapons as with cameras with night vision, entered the building to clean up the threat. 
This sequel would also have a dose of suspense and surprises, but that would not approach the level achieved before. However much the directors try to give to it an adequate pace, the idea itself was lacking of novelty, and it was relatively easy, to know what was coming and at what moments. On top of this, now religious elements, such as possession and crucifixes, had also been blended. Thus, the film had indeed got its good things, but only to some extent. 
Between the second and the third part, the timeout would lengthen, and to see what would be a film with some variations. To begin with, Plaza and Balagueró do no longer direct as a duet, but now it has been left to the hands of the first one. As if this were not enough, the screenplay is not provided by three individuals. Now, only two of them write it. Meanwhile, Balagueró has chosen, this time, to produce. 
To speak of the result, I guess would be to make reference to what for many has come to be as a real disappointment. It happens that [Rec] ³ has more of Robert Rodriguez´s Grindhouse, than of a true horror movie. With scenes like that, in which Clara, with her innocent and beautiful wedding dress, is filled with fury to gut zombies with a chainsaw (which appears precisely, in the place and right time), and which is more to enjoy laughing, with some friends, than to cover the eyes. 
I am not saying that the movie is bad. Moreover, if we forgot that it is indeed a sequel, it is likely that there would not be so many complaints. But then the problem comes from that side. [Rec] ³ "is" a sequel. One that fails miserably, not being able to continue with an already established aesthetic, which was what the fans were looking for. 
Paco Plaza replaces suspense, with guts and more blood. He is not even able to stay in the pose, that what we see is only what the characters shoot with their available cameras. Something that happens, only at the beginning, which lasts short, and that makes the title itself, meaningless. 
The action, as I already said, takes place in the setting of a marriage, starting shortly after the moment of union between the couple and before God, in a church, and with the great importance that takes the priest, afterwards. Here, Plaza has decided to continue deepening into religious matter, and that the almighty, is in all this, not exempt of some blame. In fact, it is enough to consider the other part of the title. 
Apart from all this analysis, if there is something to highlight, that would be Clara, the bride. Character played by Leticia Dolera, and which, once she has cried, got her makeup run, got covered in blood, got the chainsaw set in motion and got rid, so rudely, of part of her dress, she is quite unique. A magnificent and bizarre combinaton, between the "loss of innocence" and the "rebellious woman". A girl who does not hesitate a moment in cutting off the head of one of the guests, freshly bitten, when, being this, still alive and conscious, they both know it is just a matter of time. 

My rating: 5/10


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